Margarette Macaron

Margarette Macaron is the prefect for Orca Dorm. They are the main antagonist of the Divine Visionary Selection Exam Arc.

Appearance
Margarette appears as a tall masculine-looking person, while having their true magic power sealed off.

They take on a more petite and feminine appearance in their true form.

Personality
Margarette is eccentric, yet a firm believer in "Might makes Right". They have a strange obsession with Tartar Sauce.

Equipment
Wand: Margarette wields their wand like a conductor's baton. The handle of their wand is shaped like a musical note.

Magic and Abilites
Sounds (サウンズ, Saunzu): Margarette's personal magic. It creates music notes of various different properties, such as exploding or shielding ones. They can also use their magic to create music notes that can cushion their fall. In addition to music notes, Margarette can summon various music instruments such as a piano.


 * Shiver Sounds: Margarette emits a ringing sound that temporarily stuns a target.
 * Howling Sounds: Margarette conjures musical notes that explode in response to a target's casting.
 * Sounds Orchestra (サウンズ・オーケストラ, Saunzu Ōkesutora): An offensive spell that attacks with waves of music notation. Margarette performs it with the assistance of two unnamed Orca students.


 * Sounds Surround Orchestra (サウンズ・サラウンド・オーケストラ, Saunzu Saraundo Ōkesutora): Margarette summons several giant wind instruments and surrounds their target with them. They generate powerful soundwaves to destroy Margarette's opponents.


 * Sounds Shield (サウンズ・シールド, Saunzu Shīrudo): A defensive spell. Margarette creates a beamed note and uses it to shield their from an incoming attack.


 * Sounds Re, A Drop of Golden Sun (サウンズ・レモンのレ, Saunzu Remon no Re): Margarette attacks their opponents with destructive music notation. The spell is strong enough to defeat Aorio Morris and Moore Tomato, two double-liners. Re is a solfège syllable.


 * Sounds Fa (サウンズ・フア, Saunzu Fua): Margarette creates a giant fist made out of music notation and attacks their target with it. The attack is sound-based, making it impossible to counter it directly through normal means. Fa is a solfège syllable.


 * Sounds Metamorphosis (サウンズ・メタモルフオーゼ, Saunzu Metamorufuōze): A spell that unleashes the caster's real magic power. In Margarette's case, their appearance changed back to its true form and they gained the ability to move at the speed of sound. However, they need to generate sound first to move with its speed.


 * Sounds Secondth: Death Gong (サウンズ・セコンズ 「デスゴング」, Saunzu Sekonzu 「Desugongu」): The Secondth of Margarette's Sounds. It's a giant bell capable of incapacitating anyone who hears it. In one minute, it will ring out, covering an area 2km wide. The only way of stopping the bell is to take Margarette's wand, which proves to be extremely difficult due to their ability to move at the speed of sound. Margarette claims that they could counter Rayne Ames's Black Partisan spell with it.

Nalcos (ナルコス, Narukosu): A basic magic spell that Margarette uses to test their opponents. It shoots a magic bullet at a target. Margarette's bullets are much more powerful than those of average wizards. According to Mash, they are "as heavy as bowling balls".

Immense Magic Power: As a double-liner, Margarette possesses a great amount of magic power, however, their true magic power exceeds that of the average double-liner, as they usually hide their true strength by sealing a part of their magic power.

Musical Talent: Margarette is a highly talented pianist and maestra. She's supplementing their magic with their knowledge of music.

Battles

 * Rayne Ames vs Margarette Macaron
 * Mash Burnedead vs Margarette Macaron

Trivia

 * Tartar sauce is one of their favorite foods.
 * Margarette's gender was left ambiguous for a while after their debut, in chapter Chapter 63 they mentioned they had a "woman's intuition", implying they're female. But a Q&A corner in Volume 9 mentions that Margarette is nonbinary, identifying as both female and male.
 * Margarette uses the pronouns (Watashi (わたし) and Atashi (あたし)) when referring to their self in Japanese, Atashi is usually a feminine pronoun whilst Watashi can be used as male or female pronouns.